C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
C. Daffara and R. Fontana, “Multispectral infrared reflectography to differentiate features in paintings,” Microsc. Microanal. 17(5), 691–695 (2011).
[Crossref]
[PubMed]
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
K. Fukunaga, Y. Ogawa, S. Hayashi, and I. Hosako, “Terahertz Spectroscopy for art conservation,” IEICE Electron. Express 4(8), 258–263 (2007).
[Crossref]
K. D. Hinsch, G. Gülker, and H. Helmers, “Checkup for aging artwork: optical tools to monitor mechanical behaviour,” Opt. Las. Engin. 45(5), 578–588 (2007).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
H. Liang, M. Cid, R. Cucu, G. Dobre, A. Podoleanu, J. Pedro, and D. Saunders, “En-face optical coherence tomography - a novel application of non-invasive imaging to art conservation,” Opt. Express 13, 6133–6144 (2005).
[Crossref]
[PubMed]
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
P. Targowski, B. Rouba, M. Wojtkowski, and A. Kowalczyk, “The application of optical coherence tomography to non-destructive examination of museum objects,” Stud. Conserv. 49, 107–114 (2004).
D. Ambrosini and D. Paoletti, “Holographic and speckle methods for the analysis of panel paintings. Developments since the early 1970s,” Rev. Conserv. 5, 38–48 (2004).
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
G. Schirripa Spagnolo, D. Ambrosini, and G. Guattari, “Electro-optic holography system and digital image processing for in situ analysis of microclimate variations on artworks,” J. Opt. 28(3), 99–106 (1997).
[Crossref]
P. M. Boone and V. B. Markov, “Examination of museum object by means of video holography,” Stud. Conserv. 40(2), 103–109 (1995).
[Crossref]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
D. Ambrosini and D. Paoletti, “Holographic and speckle methods for the analysis of panel paintings. Developments since the early 1970s,” Rev. Conserv. 5, 38–48 (2004).
G. Schirripa Spagnolo, D. Ambrosini, and G. Guattari, “Electro-optic holography system and digital image processing for in situ analysis of microclimate variations on artworks,” J. Opt. 28(3), 99–106 (1997).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
P. M. Boone and V. B. Markov, “Examination of museum object by means of video holography,” Stud. Conserv. 40(2), 103–109 (1995).
[Crossref]
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
C. Daffara and R. Fontana, “Multispectral infrared reflectography to differentiate features in paintings,” Microsc. Microanal. 17(5), 691–695 (2011).
[Crossref]
[PubMed]
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
C. Daffara and R. Fontana, “Multispectral infrared reflectography to differentiate features in paintings,” Microsc. Microanal. 17(5), 691–695 (2011).
[Crossref]
[PubMed]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
K. Fukunaga, Y. Ogawa, S. Hayashi, and I. Hosako, “Terahertz Spectroscopy for art conservation,” IEICE Electron. Express 4(8), 258–263 (2007).
[Crossref]
G. Schirripa Spagnolo, D. Ambrosini, and G. Guattari, “Electro-optic holography system and digital image processing for in situ analysis of microclimate variations on artworks,” J. Opt. 28(3), 99–106 (1997).
[Crossref]
K. D. Hinsch, G. Gülker, and H. Helmers, “Checkup for aging artwork: optical tools to monitor mechanical behaviour,” Opt. Las. Engin. 45(5), 578–588 (2007).
[Crossref]
K. Fukunaga, Y. Ogawa, S. Hayashi, and I. Hosako, “Terahertz Spectroscopy for art conservation,” IEICE Electron. Express 4(8), 258–263 (2007).
[Crossref]
K. D. Hinsch, G. Gülker, and H. Helmers, “Checkup for aging artwork: optical tools to monitor mechanical behaviour,” Opt. Las. Engin. 45(5), 578–588 (2007).
[Crossref]
K. D. Hinsch, G. Gülker, and H. Helmers, “Checkup for aging artwork: optical tools to monitor mechanical behaviour,” Opt. Las. Engin. 45(5), 578–588 (2007).
[Crossref]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
K. Fukunaga, Y. Ogawa, S. Hayashi, and I. Hosako, “Terahertz Spectroscopy for art conservation,” IEICE Electron. Express 4(8), 258–263 (2007).
[Crossref]
P. Targowski, B. Rouba, M. Wojtkowski, and A. Kowalczyk, “The application of optical coherence tomography to non-destructive examination of museum objects,” Stud. Conserv. 49, 107–114 (2004).
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
P. M. Boone and V. B. Markov, “Examination of museum object by means of video holography,” Stud. Conserv. 40(2), 103–109 (1995).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
K. Fukunaga, Y. Ogawa, S. Hayashi, and I. Hosako, “Terahertz Spectroscopy for art conservation,” IEICE Electron. Express 4(8), 258–263 (2007).
[Crossref]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
D. Ambrosini and D. Paoletti, “Holographic and speckle methods for the analysis of panel paintings. Developments since the early 1970s,” Rev. Conserv. 5, 38–48 (2004).
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
P. Targowski, B. Rouba, M. Wojtkowski, and A. Kowalczyk, “The application of optical coherence tomography to non-destructive examination of museum objects,” Stud. Conserv. 49, 107–114 (2004).
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
G. Schirripa Spagnolo, D. Ambrosini, and G. Guattari, “Electro-optic holography system and digital image processing for in situ analysis of microclimate variations on artworks,” J. Opt. 28(3), 99–106 (1997).
[Crossref]
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
P. Targowski, B. Rouba, M. Wojtkowski, and A. Kowalczyk, “The application of optical coherence tomography to non-destructive examination of museum objects,” Stud. Conserv. 49, 107–114 (2004).
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
P. Targowski, B. Rouba, M. Wojtkowski, and A. Kowalczyk, “The application of optical coherence tomography to non-destructive examination of museum objects,” Stud. Conserv. 49, 107–114 (2004).
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
J. K. Delaney, J. G. Zeibel, M. Thoury, R. Littleton, M. Palmer, K. M. Morales, E. R. de la Rie, and A. Hoenigswald, “Visible and infrared imaging spectroscopy of Picasso’s Harlequin Musician: mapping and identification of artist materials in situ,” Appl. Spectrosc. 64(6), 584–594 (2010).
[Crossref]
[PubMed]
K. Fukunaga, Y. Ogawa, S. Hayashi, and I. Hosako, “Terahertz Spectroscopy for art conservation,” IEICE Electron. Express 4(8), 258–263 (2007).
[Crossref]
D. Ambrosini, C. Daffara, R. Di Biase, D. Paoletti, L. Pezzati, R. Bellucci, and F. Bettini, “Integrated reflectography and thermography for wooden paintings diagnostics,” J. Cult. Herit. 11(2), 196–204 (2010).
[Crossref]
V. Tornari, A. Bonarou, V. Zafiropulos, C. Fotakis, N. Smyrnakis, and S. Stassinopulos, “Structural evaluation of restoration processes with holographic diagnostic inspection,” J. Cult. Herit. 4, 347–354 (2003).
[Crossref]
G. Schirripa Spagnolo, D. Ambrosini, and G. Guattari, “Electro-optic holography system and digital image processing for in situ analysis of microclimate variations on artworks,” J. Opt. 28(3), 99–106 (1997).
[Crossref]
C. Daffara and R. Fontana, “Multispectral infrared reflectography to differentiate features in paintings,” Microsc. Microanal. 17(5), 691–695 (2011).
[Crossref]
[PubMed]
H. Liang, M. Cid, R. Cucu, G. Dobre, A. Podoleanu, J. Pedro, and D. Saunders, “En-face optical coherence tomography - a novel application of non-invasive imaging to art conservation,” Opt. Express 13, 6133–6144 (2005).
[Crossref]
[PubMed]
A. J. L. Adam, P. C. Planken, S. Meloni, and J. Dik, “TeraHertz imaging of hidden paint layers on canvas,” Opt. Express 17(5), 3407–3416 (2009).
[Crossref]
[PubMed]
K. D. Hinsch, G. Gülker, and H. Helmers, “Checkup for aging artwork: optical tools to monitor mechanical behaviour,” Opt. Las. Engin. 45(5), 578–588 (2007).
[Crossref]
T. Arecchi, M. Bellini, C. Corsi, R. Fontana, M. Materazzi, L. Pezzati, and A. Tortora, “A new tool for painting diagnostics: optical coherence tomography,” Opt. Spectrosc. 101(1), 23–26 (2006).
[Crossref]
C. Daffara, L. Pezzati, D. Ambrosini, D. Paoletti, R. Di Biase, P. I. Mariotti, and C. Frosinini, “Wide-band IR imaging in the NIR-MIR-FIR regions for in-situ analysis of frescoes,” (invited paper), Proc. SPIE 8084, 8084061–80840612 (2011).
J. Dulie-Barton, L. Dokos, D. Eastop, F. Lennard, A. R. Chambers, and M. Sahin, “Deformation and strain measurement techniques for the inspection of damage in works of art,” Rev. Conserv. 6, 63–73 (2005).
D. Ambrosini and D. Paoletti, “Holographic and speckle methods for the analysis of panel paintings. Developments since the early 1970s,” Rev. Conserv. 5, 38–48 (2004).
P. Targowski, B. Rouba, M. Wojtkowski, and A. Kowalczyk, “The application of optical coherence tomography to non-destructive examination of museum objects,” Stud. Conserv. 49, 107–114 (2004).
P. M. Boone and V. B. Markov, “Examination of museum object by means of video holography,” Stud. Conserv. 40(2), 103–109 (1995).
[Crossref]
M. R. Derrick, D. Stulik, and J. M. Landry, Infrared Spectroscopy in Conservation Science, (The Getty Conservation Institute, 1999).
P. K. Rastogi, ed., Digital Speckle Pattern Interferometry and Related Techniques (Wiley, 2000).
L. Carroll, The Annotated Alice: The Definitive Edition, Martin Gardner, ed. (W.W. Norton & Co., 1999), Chap. 1.
J. D. Barrow, Cosmic Imagery: Key Images in the History of Science (W.W. Norton & Co., 2008).
D. Paoletti and G. Schirripa Spagnolo, “Interferometric methods for artwork diagnostics” in Progress in Optics Vol. XXXV, E. Wolf, ed. (Elsevier, 1996).
X. Maldague, Theory and Practice of Infrared Technology for non destructive Testing (Wiley, 2001).