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  1. Commission Internationale de L'Eclairage, Compte rendu (1931).
  2. S. M. Newhall, D. Nickerson, and D. B. Judd, J. Opt. Soc. Am. 33, 385 (1943).
  3. P. Moon and D. E. Spencer, J. Opt. Soc. Am. 33, 270 (1943).
  4. From the voluminous literature on the art of color, the following may be mentioned: Maitland Graves, The Art of Color and Design (McGraw-Hill, New York, 1941); Cyril Pearce, Composition (Scribner's Sons, London, 1927). A. W. Dow, Composition (Doubleday, Page and Company, New York, 1919); Walter Sargent, The Enjoyment and Use of Color (Scribner's Sons, New York, 1923); O. N. Rood, Textbook of Color (D. Appleton and Company, New York, 1916); Roland Rood, Color and Light in Painting (Columbia University Press, New York, 1941); C. G. Cutler and S. C. Pepper, Modern Color (Harvard University Press, Cambridge, 1923); E. N. Vanderpoel, Color Problems (Long-mans, Green and Company, London, 1902); F. Birren, Monument to Color (New York, 1938); Strathmore Paper Company, A Grammar of Color (Mittineague, Massachusetts, 21); O. J. Tonks, Color Practice in Schools (Winsor and Newton, London); E. Burris-Meyer, Historical Color Guide (William Helburn, New York, 1938); Hilaire Hiller, Color Harmony and Pigments (New York, 1942).
  5. J. W. von Goethe, Farbenlehre (Weimar, 1810).
  6. E. Chevreul, De la Loi du Contraste Simultané des Couleurs (Paris, 1889).
  7. George Field, Chromatics (London, 1845).
  8. A. H. Munsell, A Color Notation (Munsell Color Company, Baltimore, 1941).
  9. W. v. Bezold, The Theory of Color (American edition, Boston, 1876).
  10. E. Brücke, Die Physiologie der Farben (Leipzig, 1866); Les Couleurs (Paris, 1866).
  11. W. Ostwald, Die Harnionie der Farben (Leipzig, 1922); Farbkunde (Leipzig, 1923); Color Science, translated into English by J. S. Taylor (Vol. 1, London, 1931; Vol. II, London, 1933).
  12. F. Birren, Color Dimensions (Crimson Press, Chicago, 1934).
  13. M. E. Bond and Dorothy Nickerson, J. Opt. Soc. Am. 32, 709 (1942).
  14. D. E. Spencer, J. Opt. Soc. Am. 33, 10 (1943).
  15. B. R. Bellamy and S. M. Newhall, J. Opt. Soc. Am. 32, 465 (1942).
  16. E. C. Allen and J. P. Guilford, Am. J. Psychol. 48, 643(1936).

Allen, E. C.

E. C. Allen and J. P. Guilford, Am. J. Psychol. 48, 643(1936).

Bellamy, B. R.

B. R. Bellamy and S. M. Newhall, J. Opt. Soc. Am. 32, 465 (1942).

Bezold, W. v.

W. v. Bezold, The Theory of Color (American edition, Boston, 1876).

Birren, F.

F. Birren, Color Dimensions (Crimson Press, Chicago, 1934).

Bond, M. E.

M. E. Bond and Dorothy Nickerson, J. Opt. Soc. Am. 32, 709 (1942).

Brücke, E.

E. Brücke, Die Physiologie der Farben (Leipzig, 1866); Les Couleurs (Paris, 1866).

Chevreul, E.

E. Chevreul, De la Loi du Contraste Simultané des Couleurs (Paris, 1889).

Field, George

George Field, Chromatics (London, 1845).

Graves, Maitland

From the voluminous literature on the art of color, the following may be mentioned: Maitland Graves, The Art of Color and Design (McGraw-Hill, New York, 1941); Cyril Pearce, Composition (Scribner's Sons, London, 1927). A. W. Dow, Composition (Doubleday, Page and Company, New York, 1919); Walter Sargent, The Enjoyment and Use of Color (Scribner's Sons, New York, 1923); O. N. Rood, Textbook of Color (D. Appleton and Company, New York, 1916); Roland Rood, Color and Light in Painting (Columbia University Press, New York, 1941); C. G. Cutler and S. C. Pepper, Modern Color (Harvard University Press, Cambridge, 1923); E. N. Vanderpoel, Color Problems (Long-mans, Green and Company, London, 1902); F. Birren, Monument to Color (New York, 1938); Strathmore Paper Company, A Grammar of Color (Mittineague, Massachusetts, 21); O. J. Tonks, Color Practice in Schools (Winsor and Newton, London); E. Burris-Meyer, Historical Color Guide (William Helburn, New York, 1938); Hilaire Hiller, Color Harmony and Pigments (New York, 1942).

Guilford, J. P.

E. C. Allen and J. P. Guilford, Am. J. Psychol. 48, 643(1936).

Judd, D. B.

S. M. Newhall, D. Nickerson, and D. B. Judd, J. Opt. Soc. Am. 33, 385 (1943).

Moon, P.

P. Moon and D. E. Spencer, J. Opt. Soc. Am. 33, 270 (1943).

Munsell, A. H.

A. H. Munsell, A Color Notation (Munsell Color Company, Baltimore, 1941).

Newhall, S. M.

S. M. Newhall, D. Nickerson, and D. B. Judd, J. Opt. Soc. Am. 33, 385 (1943).

B. R. Bellamy and S. M. Newhall, J. Opt. Soc. Am. 32, 465 (1942).

Nickerson, D.

S. M. Newhall, D. Nickerson, and D. B. Judd, J. Opt. Soc. Am. 33, 385 (1943).

Nickerson, Dorothy

M. E. Bond and Dorothy Nickerson, J. Opt. Soc. Am. 32, 709 (1942).

Ostwald, W.

W. Ostwald, Die Harnionie der Farben (Leipzig, 1922); Farbkunde (Leipzig, 1923); Color Science, translated into English by J. S. Taylor (Vol. 1, London, 1931; Vol. II, London, 1933).

Spencer, D. E.

D. E. Spencer, J. Opt. Soc. Am. 33, 10 (1943).

P. Moon and D. E. Spencer, J. Opt. Soc. Am. 33, 270 (1943).

von Goethe, J. W.

J. W. von Goethe, Farbenlehre (Weimar, 1810).

Other (16)

Commission Internationale de L'Eclairage, Compte rendu (1931).

S. M. Newhall, D. Nickerson, and D. B. Judd, J. Opt. Soc. Am. 33, 385 (1943).

P. Moon and D. E. Spencer, J. Opt. Soc. Am. 33, 270 (1943).

From the voluminous literature on the art of color, the following may be mentioned: Maitland Graves, The Art of Color and Design (McGraw-Hill, New York, 1941); Cyril Pearce, Composition (Scribner's Sons, London, 1927). A. W. Dow, Composition (Doubleday, Page and Company, New York, 1919); Walter Sargent, The Enjoyment and Use of Color (Scribner's Sons, New York, 1923); O. N. Rood, Textbook of Color (D. Appleton and Company, New York, 1916); Roland Rood, Color and Light in Painting (Columbia University Press, New York, 1941); C. G. Cutler and S. C. Pepper, Modern Color (Harvard University Press, Cambridge, 1923); E. N. Vanderpoel, Color Problems (Long-mans, Green and Company, London, 1902); F. Birren, Monument to Color (New York, 1938); Strathmore Paper Company, A Grammar of Color (Mittineague, Massachusetts, 21); O. J. Tonks, Color Practice in Schools (Winsor and Newton, London); E. Burris-Meyer, Historical Color Guide (William Helburn, New York, 1938); Hilaire Hiller, Color Harmony and Pigments (New York, 1942).

J. W. von Goethe, Farbenlehre (Weimar, 1810).

E. Chevreul, De la Loi du Contraste Simultané des Couleurs (Paris, 1889).

George Field, Chromatics (London, 1845).

A. H. Munsell, A Color Notation (Munsell Color Company, Baltimore, 1941).

W. v. Bezold, The Theory of Color (American edition, Boston, 1876).

E. Brücke, Die Physiologie der Farben (Leipzig, 1866); Les Couleurs (Paris, 1866).

W. Ostwald, Die Harnionie der Farben (Leipzig, 1922); Farbkunde (Leipzig, 1923); Color Science, translated into English by J. S. Taylor (Vol. 1, London, 1931; Vol. II, London, 1933).

F. Birren, Color Dimensions (Crimson Press, Chicago, 1934).

M. E. Bond and Dorothy Nickerson, J. Opt. Soc. Am. 32, 709 (1942).

D. E. Spencer, J. Opt. Soc. Am. 33, 10 (1943).

B. R. Bellamy and S. M. Newhall, J. Opt. Soc. Am. 32, 465 (1942).

E. C. Allen and J. P. Guilford, Am. J. Psychol. 48, 643(1936).

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