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  1. E. J. G. Bradford, "On the aesthetic value of the perceptive types in color appreciation," Am. J. Psychol. 24, 245 (1913); J. P. Guilford, "The affective value of color as a function of hue, tint, and chroma," J. Exper. Psychol. 17, 342–371 (1934); also Psychometrika 4, 1.
  2. J. E. DeCamp, "The influence of color on apparent weight," J. Exper. Psychol. 2, 347 (1917); M. Monroe, "The apparent weight of color and correlated phenomena," Am. J. Psychol. 36, 192 (1925); B. C. Koch, "The apparent weight of colors," Contributions in Psychology, Number 9 (The Ohio State University Press, Columbus, Ohio, 1928).
  3. E. J. Warden and E. L. Flynn, "The effect of color on apparent size and weight," Am. J. Psychol. 37, 398–401 (1926).
  4. M. Luckiesh, Light and Color in Advertising and Merchandising (Van Nostrand, New York, 1923); C. A. Morris, "What color shall the free booklet have?" Printers' Ink Monthly 19, 124–125 (1929).
  5. L. R. Geissler, "The affective tone of color combinations," in Studies in Psychology: Titchener Commemorative Volume (Wilson, Worcester, 1917) pp. 150–174; John T. Metcalf, "Pleasantness of brightness combinations," Am. J. Psychol. 38, 607-23 (1927); B. C. Koch, ibid.
  6. N. Collins, "The appropriateness of certain color combinations in advertising," unpublished thesis, Columbia University (1924).
  7. M. Graves, The Art of Color and Design (McGraw-Hill, New York, 1941).
  8. N. C. Meier, Art in Human Affairs (McGraw-Hill, New York, 1942).
  9. E. Baker, "Spectrally pure colors in binary combinations," University of Toronto Studies, Psychol. Ser. 2 (1902–1907).
  10. J. P. Guilford, Psychometric Methods (McGraw-Hill, New York, 1936).
  11. Bernoulli. In H. L. Rietz (ed.), Handbook of Mathematical Statistics (Houghton Mifflin, Boston, 1924).
  12. N. C. Meier, and W. A. McCloy, "An instrument for the study of creative artistic intelligence," Psychol. Monogr. 48 (1938).

1926

E. J. Warden and E. L. Flynn, "The effect of color on apparent size and weight," Am. J. Psychol. 37, 398–401 (1926).

1913

E. J. G. Bradford, "On the aesthetic value of the perceptive types in color appreciation," Am. J. Psychol. 24, 245 (1913); J. P. Guilford, "The affective value of color as a function of hue, tint, and chroma," J. Exper. Psychol. 17, 342–371 (1934); also Psychometrika 4, 1.

Baker, E.

E. Baker, "Spectrally pure colors in binary combinations," University of Toronto Studies, Psychol. Ser. 2 (1902–1907).

Bradford, E. J. G.

E. J. G. Bradford, "On the aesthetic value of the perceptive types in color appreciation," Am. J. Psychol. 24, 245 (1913); J. P. Guilford, "The affective value of color as a function of hue, tint, and chroma," J. Exper. Psychol. 17, 342–371 (1934); also Psychometrika 4, 1.

Collins, N.

N. Collins, "The appropriateness of certain color combinations in advertising," unpublished thesis, Columbia University (1924).

DeCamp, J. E.

J. E. DeCamp, "The influence of color on apparent weight," J. Exper. Psychol. 2, 347 (1917); M. Monroe, "The apparent weight of color and correlated phenomena," Am. J. Psychol. 36, 192 (1925); B. C. Koch, "The apparent weight of colors," Contributions in Psychology, Number 9 (The Ohio State University Press, Columbus, Ohio, 1928).

Flynn, E. L.

E. J. Warden and E. L. Flynn, "The effect of color on apparent size and weight," Am. J. Psychol. 37, 398–401 (1926).

Geissler, L. R.

L. R. Geissler, "The affective tone of color combinations," in Studies in Psychology: Titchener Commemorative Volume (Wilson, Worcester, 1917) pp. 150–174; John T. Metcalf, "Pleasantness of brightness combinations," Am. J. Psychol. 38, 607-23 (1927); B. C. Koch, ibid.

Graves, M.

M. Graves, The Art of Color and Design (McGraw-Hill, New York, 1941).

Guilford, J. P.

J. P. Guilford, Psychometric Methods (McGraw-Hill, New York, 1936).

Luckiesh, M.

M. Luckiesh, Light and Color in Advertising and Merchandising (Van Nostrand, New York, 1923); C. A. Morris, "What color shall the free booklet have?" Printers' Ink Monthly 19, 124–125 (1929).

McCloy, W. A.

N. C. Meier, and W. A. McCloy, "An instrument for the study of creative artistic intelligence," Psychol. Monogr. 48 (1938).

Meier, N. C.

N. C. Meier, and W. A. McCloy, "An instrument for the study of creative artistic intelligence," Psychol. Monogr. 48 (1938).

N. C. Meier, Art in Human Affairs (McGraw-Hill, New York, 1942).

Warden, E. J.

E. J. Warden and E. L. Flynn, "The effect of color on apparent size and weight," Am. J. Psychol. 37, 398–401 (1926).

Am. J. Psychol.

E. J. Warden and E. L. Flynn, "The effect of color on apparent size and weight," Am. J. Psychol. 37, 398–401 (1926).

E. J. G. Bradford, "On the aesthetic value of the perceptive types in color appreciation," Am. J. Psychol. 24, 245 (1913); J. P. Guilford, "The affective value of color as a function of hue, tint, and chroma," J. Exper. Psychol. 17, 342–371 (1934); also Psychometrika 4, 1.

Other

J. E. DeCamp, "The influence of color on apparent weight," J. Exper. Psychol. 2, 347 (1917); M. Monroe, "The apparent weight of color and correlated phenomena," Am. J. Psychol. 36, 192 (1925); B. C. Koch, "The apparent weight of colors," Contributions in Psychology, Number 9 (The Ohio State University Press, Columbus, Ohio, 1928).

M. Luckiesh, Light and Color in Advertising and Merchandising (Van Nostrand, New York, 1923); C. A. Morris, "What color shall the free booklet have?" Printers' Ink Monthly 19, 124–125 (1929).

L. R. Geissler, "The affective tone of color combinations," in Studies in Psychology: Titchener Commemorative Volume (Wilson, Worcester, 1917) pp. 150–174; John T. Metcalf, "Pleasantness of brightness combinations," Am. J. Psychol. 38, 607-23 (1927); B. C. Koch, ibid.

N. Collins, "The appropriateness of certain color combinations in advertising," unpublished thesis, Columbia University (1924).

M. Graves, The Art of Color and Design (McGraw-Hill, New York, 1941).

N. C. Meier, Art in Human Affairs (McGraw-Hill, New York, 1942).

E. Baker, "Spectrally pure colors in binary combinations," University of Toronto Studies, Psychol. Ser. 2 (1902–1907).

J. P. Guilford, Psychometric Methods (McGraw-Hill, New York, 1936).

Bernoulli. In H. L. Rietz (ed.), Handbook of Mathematical Statistics (Houghton Mifflin, Boston, 1924).

N. C. Meier, and W. A. McCloy, "An instrument for the study of creative artistic intelligence," Psychol. Monogr. 48 (1938).

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