Abstract

No abstract available.

Full Article  |  PDF Article

References

  • View by:
  • |
  • |
  • |

  1. S. A. Benton, J. Opt. Soc. Am. 59, 1545A (1969).
  2. Yu. N. Denisyuk, V. I. Sikhamov, Opt. Spectrosc. 25, 166 (1968).
  3. J. C. Viénot, P. Smigielski, H. Royer, Holographie Optique (Dunod, Paris, 1971), pp. 34–36.
  4. L. H. Lin, C. V. Bianco, Appl. Opt. 6, 1255 (1967).
    [CrossRef] [PubMed]

1969 (1)

S. A. Benton, J. Opt. Soc. Am. 59, 1545A (1969).

1968 (1)

Yu. N. Denisyuk, V. I. Sikhamov, Opt. Spectrosc. 25, 166 (1968).

1967 (1)

Benton, S. A.

S. A. Benton, J. Opt. Soc. Am. 59, 1545A (1969).

Bianco, C. V.

Denisyuk, Yu. N.

Yu. N. Denisyuk, V. I. Sikhamov, Opt. Spectrosc. 25, 166 (1968).

Lin, L. H.

Royer, H.

J. C. Viénot, P. Smigielski, H. Royer, Holographie Optique (Dunod, Paris, 1971), pp. 34–36.

Sikhamov, V. I.

Yu. N. Denisyuk, V. I. Sikhamov, Opt. Spectrosc. 25, 166 (1968).

Smigielski, P.

J. C. Viénot, P. Smigielski, H. Royer, Holographie Optique (Dunod, Paris, 1971), pp. 34–36.

Viénot, J. C.

J. C. Viénot, P. Smigielski, H. Royer, Holographie Optique (Dunod, Paris, 1971), pp. 34–36.

Appl. Opt. (1)

J. Opt. Soc. Am. (1)

S. A. Benton, J. Opt. Soc. Am. 59, 1545A (1969).

Opt. Spectrosc. (1)

Yu. N. Denisyuk, V. I. Sikhamov, Opt. Spectrosc. 25, 166 (1968).

Other (1)

J. C. Viénot, P. Smigielski, H. Royer, Holographie Optique (Dunod, Paris, 1971), pp. 34–36.

Cited By

OSA participates in CrossRef's Cited-By Linking service. Citing articles from OSA journals and other participating publishers are listed here.

Alert me when this article is cited.


Figures (3)

Fig. 1
Fig. 1

Observation of the holographic portrait from a reflection hologram.

Fig. 2
Fig. 2

Schematic diagram of (a) recording the primary hologram and (b) reconstruction of the pseudoscopic image and recording the secondary hologram (A, object; H1, primary hologram; D, diffuser; B.S., beam splitter; L, divergent lens; L′, converging lens; H2, secondary hologram).

Fig. 3
Fig. 3

A few successive images from a sequence of the animated portrait, as the observer moves from top downward.

Metrics